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Simon
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"The concert closed
with some genuine industrial music. Simon
Scardanelli's De(re)construction literally built up from Digbeth
factory thrashings, clankings and clumpings, with true-life-of-a-foreman
interviews rising up from the decibel crush, the participants very wary
of the Millennium Point media-focused makeover driving out the old grimy
factories. This was
clearly the best fulfilment of the City Scape brief." - Martin Longley,
Birmingham Post. |
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"Birmingham is a Great Place!" A CD-R containing Fragments of Democracy, de(re)construction, & Aqualogica is now available for £10 including postage worldwide. Pay by clicking the PayPal logo opposite. Myspace page - streaming audio - listen here |
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Title
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Description |
Download
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Junkie |
Taken
from "The Lonely Bridge Song" - a play by Nowell Wallace,
directed by Tom Bailey. Premiered at the Hexagon Theatre, MAC, Birmingham
May 14-19 2001. Nowell Wallace & Tom Bailey commissioned me to write
a background soundscape to the entire play, as well as pieces for three
discreet scenes. The following piece is from the "Junkie" scene.
I wanted to create a visceral, fluid and very physical sonic accompaniment
to what was already a very disturbing scene.
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A Sharp
Intake of Breath (2000)
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Premiered
at Birmingham's Symphony Hall. Full length work, 5.72MB. Featured on
"SPIKE - Works from BEAST" , CD released on Sargasso
(reviewed in The Wire, May 2001). |
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de(re)construction (2000) |
The Digbeth area of Birmingham is known for its industrial heritage, soon to be swept away with the East Side development program. de(re)construction visits factories and workshops, some of which have operated in the area for decades, and talks to owners and workers about the future. Is there a place for manufacturing in the new media-based Digbeth? Will the grind of thread rolling machines and clack of steel stampers be forever lost, to be replaced by the hiss of the cappucino machine? de(re)construction is both a historical document of a vanishing industry and a celebration of a vision for the city of the future. A city where the currency of manufacturing is being replaced by one of ideas, knowledge and learning. Premiered November 16th 2000 at CBSO Centre as part of BEAST's 2000/2001 concert series. Also featured Installation at IKON Gallery Birmingham, 9/10 December 2000. For further details on this event plus a review of the concert by Martin Longley click here. |
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Aqualogica
(2000) |
Sounds produced by the machinery at the splendidly Edwardian Moseley Baths, together with biological and environmental sound sources form the material used in the composition of Aqualogica. A site specific work composed for Immerse, part of the Metapod Expo held in October 2000. Further info click here. |
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Fragments
of Democracy (1999-2000) |
The final meeting of Birmingham City Council of 1999 was recorded in its 6 hour entirety. From fly-on-the-wall veritas to heavy digital processing of the day’s proceedings, Scardanelli’s electroacoustic composition juxtaposes tradition with a futuristic sonic commentary. A melee of political rhetoric, social comment and procedural banality, Fragments of Democracy is an intriguing political document; a sonic Hansard for the people. Further info click here. |
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Three
Chords for
Guitar (1998) |
The material for this piece is derived from three guitar chords processed using extensive FFT filtering & time stretching. |
Three
Chords
(short extract) |
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Coitus
Junglitus
(1998) |
featuring a can't be named for legal reasons stolen famous voice coupled (pun intended) with various beasts. | |
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New pieces soon to be avaialble here include "Guitar=God" (2008) and "I Am Sitting In A Chair" (2009) Commissions include a millennium
project , led by Trevor Wishart, "Fragments
of Democracy" for Birmingham City Council, and AQUALOGICA,
a site specific installation for the Metapod Expo. |
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